The Little Theater at Felician College is
“Calling All Actors!”

Keline Adams, Artistic Director of the “Little Theater at Felician” has announced a casting call for actors for “Prince of the Clouds,” an original play in two acts, written and directed by William D. Hathaway.  To be performed as a staged reading on September 6 (preview), 7,8 (two shows) and 9, 2001, the call is for two men in midforties, one in midthirties, one woman in midsixties, and one in midthirties. Headshot and resume/bio should be provided.  Actors must be committed for rehearsals during August in New Jersey.  No pay.  NON-EQUITY PERFORMERS. 

Auditions will be held June 16 from 10a.m. to 2p.m. and on June 19 from 6:30 p.m. to 8:30p.m. Call (201) 559-3323 for an audition appointment /directions. 

This production will mark the reopening of the Little Theater, which has sat vacant for a decade and seen little activity over the past two decades.  The intimate 95 seat theater, located on the Rutherford campus of Felician College, is currently undergoing renovations and, when reopened, will see the staging of small-scale productions from local playwrights, house a summer stock or drama camp, as well as workshops, seminars, and more.   

PRINCE OF THE CLOUDS
A Synopsis by
William D. Hathaway 

A black comedy in two acts.  Three men and two women.  The action unfolds in a cold-water flat in Brooklyn, N.Y. on June 11, 1963, Bloomsday.  Flashbacks occur downstage of the flat. 

FINTAN VALOVICH, a poet, has returned to his Brooklyn home to revenge the murder of his muse, ROSE.  He holds his mother, MAUD VALOVICH, and his best friend, LUTHER BELLAIMY, responsible. 

Compounding the matter, Fintan believes that he is Hamlet, a Hamlet who happens to be Fintan’s dearest friend.  Of course, experienced in matters of revenge, Hamlet has agreed to make sure that Fintan’s mother and best friend receive their just deserts.

But as Hamlet prepares to see the deed done, mother and best friend declare their innocence and they beg to Hamlet for an appeal.  Although Hamlet knows the whole truth (the truth according to Fintan, that is,) he is still that Shakespearean character who is “never in a hurry to do anything until all monologues have been exhausted.”

Hamlet agrees to hear them out. “Let us put the truth to rest, and then I shall put you to rest.”  Asking Fintan’s best friend to refresh his martini, the reconstruction of the “crime” begins.